Monster

"...they defiled...they begot giants and monsters...they begot, and, behold, all the earth was corrupted...with its blood and by the hand of...giant's which did not suffice for them and...and they were seeking to devour many...the monsters attacked it."

"...flesh...all...monsters...will be...they would arise...lacking in true knowledge...because... the earth grew corrupt...mighty...they were considering...from the angels upon ...in the end it will perish and die...they caused great corruption in the earth...this did not suffice to...they will be..."

"What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love."

"Dr. Ludwig Frankenstein: You're a cunning fellow Ygor. Do you think I would put your sly and sinister brain into the body of a giant? That would be a monster indeed. You will do as I tell you or I will not be responsible for the consequences."

"I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge — what kind of monster would fascinate people? I couldn’t draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn’t faint dead away. There was nothing disgusting in his demeanor. There was nothing about him that repelled you. My monsters were lovable monsters."

"To make the [reader] happy was not my objective, but to make the [reader] say, “Yeah, that’s what would happen” — that was my objective. I knew the [reader] was never happy all the time. You take the Thing, he’d knock out 50 guys at a time and win — then maybe he’d sit down and kind of reflect on it: “Maybe I hurt somebody or maybe we could have done it some other way” like a human being would think, not like a monster. In other books the guy would knock out the gangs and that would be the end of it. You would see the guys in jail, and that’s it. Or it would say, “Wait until next week.”"

"Kilaak Queen: Ghidorah is a space monster. The monsters from Earth cannot win. I will get in touch with you, when you feel like giving up."

"Simply put, since the dawn of civilization, our collective imagination has transformed our fears into monsters. Once that happened, it was inevitable for monsters to get incorporated into our stories. Of course, our collective fears changed as human civilization progressed. Humans were no longer afraid of the forest or the seas. Instead, they became afraid of other things, and that meant they created new monsters to replace the ones that no longer frightened them. For instance, Grendel represents the distinct medieval fear of the lower classes rising up against the aristocracy. It's no coincidence that the Transylvanian Count Dracula was created during the victorian era when the English feared an invasion from Europe."

"Imagine different ways to overcome a monster other than just fisticuffs and violence. For instance, when the Fantastic Four first met the shape-shifting alien skrulls, the story could have easily been resolved by having the four superheroes tear apart the Skrull's invading spaceship. Instead, the Fantastic Four resorted to deception: By being shown pictures from comic books, the Skrulls were led to believe they would be slaughtered if they dared invade Earth. For good measure, Mr. Fantastic hypnotized the remaining Skrulls into believing they were really cows. Thus, the fantastic Four demonstrated their ingenuity and resourcefulness. Similarly, when Spider-Man created an antidote that turned the Lizard back into Dr. Connors, he demonstrated both his scientific acumen and his compassion for Dr. Connors's situation. Again, the crucial thing to remember is that your superhero embodies several different exceptional qualities, and the manner in which your superhero defeats a monster tells the reader which of these qualities are paramount. And besides, physical strength alone won't work against some monsters, like vampires. Sure, you can drive a stake through a vampire's heart to take him out of commission but most superheroes refrain from resorting to that kind of violence... even against the undead! Again, you must imagine other means of prevailing against the monster."

"As a survival mechanism, fear can help us avoid dangerous situations or prepare us for hostile confrontations. But being scared all the time isn't healthy. It can lead to panic or emotional breakdowns. So why in the world would we even want to have monsters as part of our popular entertainment? Why read (or write) stories about monsters if we know it will ultimately make us unnecessarily experience an emotion that isn't pleasant? To come back to Godzilla, why would the Japanese want to be reminded of the horror of Hiroshima and Nagasaki? Well, to answer those questions, let's consider the ancient Greek concept of Catharsis."

"I tried to talk. I want you to remember that. I tried to reach out. I tried to understand you, but I think you understand us perfectly. I think that you just don't care. And I don't know whether you're here to invade, infiltrate or just replace us. I don't suppose it really matters now. You are monsters! That is the role you seem determined to play! So, it seems that I must play mine: the man that stops the monsters. I'm sending you back to your own dimension. Who knows, some of you may even survive the trip. And if you do, remember this: You are not welcome here! This plane is protected! I am The Doctor, and I name you "the Boneless"!"

"He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you."

"Hateful day when I received life!' I exclaimed in agony. 'Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemlance. Satan had his companions, fellow-devils, to admire and encourage him; but I am solitary and abhorred."

"The female monster is cer­tainly no deadlier than the male, but she is different. She is a sucking, strangling, trapping creature."

"Postremo nemo aegrotus quidquam somniat tam infandum, quod non aliquis dicat philosophus."

"Monkrum horrendum, informe, ingens, cui lumen ademptum."

"I think the evidence will show that this is a sad case. There are no monsters here."

"I don't want to kill Ultron. He's unique. And he's in pain. But that pain will roll over the Earth. So he must be destroyed — every form he's built, every trace of his presence on the 'net. We have to act now, and not one of us can do it without the other. Maybe I am a monster … I don't think I would know if I were one. I'm not what you are, and not what you intended. So there may be no way to make you trust me. [casually hands Thor his hammer Mjöllnir ] But we need to go."

"The monster’s power is one of sexual difference from the normal male. In this difference he is remarkably like the woman in the eyes of the traumatized male: a biological freak with impossible and threatening appetites that suggest a frightening potency precisely where the normal male would perceive a lack."

"Idie: It's because we're monsters."