16 quotes found
"She saw them before they saw her, the two men leaning against a dusty red Cortina and looking out of place in the regimented grey street. Her heart lurched and her stomach sickened. There was a stitch in her left side and she leaned heavily into it, pressing her palm hard against the spot, her breathing ragged as she came to a dead stop."
"racism is not a white problem; it's a problem of the world."
"the church has done more to destroy people in the Caribbean than any other institution."
"[about the character Hyacinth in The Unbelonging] the reason she's an outsider here [in England] is because she never ever made a life here. She lived there in the past, but time continued."
"because I have written a book which actually goes to the heart of how poor people are kept in control - which is by the church actually doing the job for the government - people are resentful."
"It struck me that memory is actually quite negative in lots of ways because it stops you from creating new, sustaining memories as a kind of other to survive with...It's...as though if you don't resolve all that luggage you carry around with you, it somehow is going to come back and haunt you."
"[about writing a character who works as a cleaner] you've got to look beyond the mop because there's a human being there; and until you can accept the fact that people are people and stop seeing people through the eyes of occupation segregation then you are always going to be prepared to step on people."
"(Q: Your first three novels are powerful indictments of racism, Joan. Yet you've gotten some negative responses from the British for them.) Riley: I think because I'm writing about their backyard. It's okay for people from elsewhere to write even similar things, but it's not right to write about British systems in the same way."
"I've been told my poetry is anti-male and anti-white. I think that's very unfair because it raises issues like, Have I not got a right to protest against your exploiting me because you are being exploited, too? I mean, isn't that how we get into hierarchy? And isn't that how we get into trouble? Well, people don't like those questions."
"Jamaicans don't like to admit to all of the things that are wrong with their society. Children are unprotected. They are fair game, basically. Violence against women and children is endemic and accepted. Academics write about it as if it is a subversive act. Women are simply expendable, and when they write about it, it is always a woman's fault somehow. A woman is mad because she is drinking or something. There's never any rational reason why somebody reaches this point."
"I've always been very unhappy about leaders. I see my brother with his cap in his hand, with his head bowed just like my uncles-probably like my grandfathers and my great-grandfathers-and he's saying, "Mr. Manley, liberate us, man." Then I think, But, you're not liberated. And that's because we look always to somebody else. I never write about the leader. It's always the antihero because the antihero is the salt of the earth. And if this earth is to have any chance, it is the antihero we are going to have to look to."
"I started to write because I was getting so angry that I thought that I was going to explode, because the images on the television I was seeing about Jamaica were deliberately misleading images. It was at the time that Jamaica was going through a very bad patch, you know. It was fermenting; there was lots of destabilization. I saw it from the other side...from the mean streets of Kingston. On television they would only spin the shacks and they would say, "This is Jamaica." And of course the way it was being portrayed didn't happen."
"We have a word - I don't know if you have anything like it in America - we say that something "clide" you. It gets so strong that you get sick of it. That's how I used to feel about black American literature, especially that of the men, because it was very defeatist. It's a certain something very much like fundamentalist Christianity. It never actually looked at internal blame, which is as important as external blame, because if you can't take responsibility you're not human and you're not adult and you're not able then to ask for a share in things."
"I think I'm an odd kind of Caribbean writer in the sense that I don't come out of the rich, middle-class elite who are the traditional writers. It's almost like cloning themselves, you know. So what they write is very much their image of the world. There's never been a voice that's been a poor voice, and I've never, ever seen myself reflected in Jamaican fiction. To some extent in Olanda Paterson, but very little. All of them, including Olive Senior, can't get into the psyche [of poor people] because they don't know it and it's an alien place, something they are afraid of. And so what happens is that they create a distorted image of people like me and my family."
"In Unbelonging the past is a handicap, just as it is for so many people here. It's something that stops them from going forward because they've never actually come to terms with exile. It is as much exile if you emigrate as if you came because you had to, particularly for young people who came in their preteens. They had no choice. They are as much exiled as a political refugee. Memory is a funny thing. It keeps you sane because there is another, better dreamland that you can escape to. It commonly has that function here. But what happens when memory comes up against reality? That's what has caused so much pain for people here. When they were able somehow to find the money - half of them actually went to the moneylenders to get it - and went back to paradise, paradise was an illusion. What happens with memory is that it's very faulty. It edits out pain."
"Joan Riley has an extraordinary ability to portray pain and loneliness...her novels become powerful parables of the creation and destruction of illusions... It is this quality which steels Joan Riley's work and the lives of her characters."