Glen Benton

"When you don't have the original singer, then you are the official cover band. You wanna make yourself look even more stupid than you already do, by all means, go ahead. [...] We've done wondrous things since their departure — we don't have the problems of canceled tours and missed performances and things like that. This thing runs smooth, everybody gets along, everybody's happy, there's no ill will. It's just like a bad... When you're in a bad marriage, it just ain't working out. So people have to go on their way."

"Those two are a couple of idiots, man. I hate Eric and Brian Hoffman more than anything in this world, and I will not rest until I put shit straight with the fans. Up 'til now, everybody thinks I kicked them out of the band, but nobody kicked anybody out. They quit on their own, and I wanna set the record straight in regard to those two fuckin' pricks. [...] It's real simple: Eric Hoffman has a fucking steroid problem, and he's bi-polar. Brian married some young broad who's running his life for him. What initially happened is that when our publishing deal ended with Roadrunner, and our new deal started with Earache, we put them on notice that our publishing was no longer gonan be split four ways — it's gonna be based on who writes what. That's the industry standard. Brian writes one song for the album, Eric writes two songs and they wanna get paid for all the songs Steve [Asheim, drums] wrote. That's not fuckin' fair. And I wrote all the lyrics, so I'm entitled to 50% of the publishing. Why should I give those two money? They've been losing thousands of dollars for me and Steve for ten years now. If it was one of those things where they showed up and did their jobs, we wouldn't have a fucking problem. That's why the deal we signed [with Roadrunner] in '90 was set up like that. Back then, everybody wrote and contributed and it was a fuckin' group effort. But now me and Steve are the Lennon and McCartney of the band, doing all the writing, and those two wanna get paid for our hard work. Fuck that. [...] When they got their first publishing checks and didn't get paid for all the songs me and Steve wrote, they fucking quit. And now we gotta deal with Eric threatening Steve, driving to his house and screaming outside his window at 10:30 at night, making threatening phone calls, talking shit on Blabbermouth about Steve's dad dying, and all this other bullshit. Eric knows better than to come over here, though — he knows I shoot first and ask questions later."

"Slipknot: ‘Oh we’re going to take you guys out man, we’re going to take you guys out dude.’ Yeah, blow me. That’s what I say to you. F—ing blow me Corey Taylor and all you f-gs. OK. ‘Oh we’re going to take Deicide out on tour with us and blah blah blah.’ Blowing air up our asses, back in the day. You know what, you never did a f—ing thing for us. You introduced us at a show once. Great, thanks. How about a f—ing tour? How about f—ing helping us out a little bit? I mean we’ve only been doing this for several years. You guys were like, ‘Dude you were what got me started.’ Well you know what, return the f—ing favor. You know what I mean?"

"Religion is a three-legged dog, and it’s on its way out. I think people know how to treat each other, and don’t need a book full of bullshit to tell them how to do it."

"When I was eight years old and forced against my will to participate in the Christmas play at the church my mother was a Sunday school teacher at, I was singing at the front of the church thinking, ‘How did I get myself into this shit?’"

"I was always referred to as ‘the evil little bastard’ in my family. I just fell into it, and it’s the persona I’ve had ever since I was a little kid, through school and through everything else. I don’t even really know why, but do I get off on raising eyebrows and ruffling feathers? Fuck yeah, I do! Fifty-six years old and I still love getting a reaction out of folks. Most kids rebel, and I wanted to fight the powers."

"I think I was only 22 when I burned the inverted cross into my forehead. The spirit moved me, man! To this day, I don’t know what the fuck I was thinking, but I knew that I had been christened Catholic as a child, and I felt that the best way to take care of that would be my symbolic way of taking that Catholic mark off of my skin. I’ve always been that kid in the picture who’s got that twisted look and the smile on his face, and when I got to an age where I could start being me, I just started being me. Now that my two sons are both grown and off in the world, I find myself back to being that guy again, the guy that branded the cross on his forehead."

"The way I look at is “who cares?” [laughter]. Who gives a fuck anymore? Does anybody even read the lyrics anymore? It’s like they’ll release the first SoundScan numbers and it’ll be like 2900 copies sold the first week, but there are like 50,000 downloads. Does anybody even read the packaging anymore? I was going to put in the album this time, “If anybody’s reading this, thanks for not ripping me off!"

"[Religion is] beaten into me, so I can’t sing about anything else. If I try to sing about other things, I draw a complete blank. I let the universe speak through me, and if I have to force it, it just won’t come."

"Neil Peart, I’ve seen an interview with him, and he felt uncomfortable in those situations, and I just feel the same way, man. I just don’t like being put in those positions where I’m sitting at a table and people are gawking at me like I’m in the Jim Rose Circus or something. I guess I’m just too real and too deep for that kind of shit. To me, I think it’s — pardon the expression — I think it’s a poser kind of thing. That’s for posers. And Steve’s like, ‘I feel the same way. I feel like I wanna climb out of my skin when I’m in those situations.’ And like I say, I’m just not into that kind of thing. ‘Cause I’m up there, if I’m wrangled into these things, I’m thinking to myself as I’m up there and everybody’s saying all the compliments and everything, and I think to myself, ‘Man, if they can only see me when I’m outside mowing my grass, washing the car and cleaning the bathroom. If they could only see me now.’ So that’s kind of how it makes me feel uncomfortable, ’cause I don’t think of myself like a rock star or anything like that. I just don’t put myself in that [frame of mind]. I can’t. I really don’t. I can’t relate. [...] I was having this conversation with the guys in the band the other day, ’cause we were talking about meet-and-greets and doing that kind of stuff. And I’m just not a fan of the whole charging fans for a signature. I give a fan a signature out of kindness of my heart, not because I wanna make money off of them. The fact that they’re a fan and they listen to our material… I know things are different — most people get [music] for free now — but I still can’t come to terms with that, to charge somebody for my signature, especially a fan… And it makes me feel kind of weird."

"Well, people don't understand that the album cover that we did, it was done with Photoshop and with some A.I., but it's a more modern version. It's like Legion — when I did the Legion album cover, computers were still fucking new. Nobody knew anything about three-dimensional artwork or any shit like that. And I was the first person to even fucking fuck with that when I designed the Legion album cover. Now I've been in the computers and all that shit since they all came about. So I may be ahead of a lot of people when it comes to computers. I have two iMacs and MacBook Pro and iPad Pro. So I'm a little versed with the whole computer age and in Photoshop and all that stuff and that. [...] I like to do something different and provocative. And I know the whole A.I. thing, everybody's [up in arms about it]… But it was meant to stir. People don't understand. It's a modernization of… It's a sign of the time that we're in. People just can't — their first [reaction] is, like, 'Oh, he's trying to put all of us artists out of work. And I'll be stuck drawing penises in men's bathrooms for the rest of my life.' So everybody's up in arms and thinking that this is the end of the fucking world. And it's really ridiculous, man. It's just a form of art and expression. So I think people should just really stop being ridiculous and accept it for what it is, man. It's a sign of the times. [...] But here's the thing, how hypocritical it is, because my art was being stolen [illegally downloaded] and stepped all over in the '90s. Metallica had seen it come and they tried to stop it. But all these wannabe mercenaries for artists and all these idiots out there, they were the same people right there stealing my art back then. So where were all you guys at to defend my art being stolen and taken advantage of? [...] So, all I did was just did an album cover, really, that just focused on the whole modernization of the modern time and, really, it's just a reflection of the age that we're in right now. I can't spend my days trying to explain this. I have a saying: I don't try to convince stupid is dumb and I don't try to convince dumb is stupid. So I just let it do its thing and piss people off. I have a great time with it. It's hilarious. Yeah, it is what it is, man. It's meant to stir the shit paddle, and that's what I do."

"I didn’t think playing shows with rotting meat as part of our set-up was gonna cause that much of a shitstorm. Within three shows of that stuff I had the authorities bearing down on me, so it was a very short-lived moment in Deicide history."

"As a parent, it really weirds me out when people bring their children and babies to the show. They’re like, ‘Sign my baby’s forehead!’ I’ve pretty much seen it all; from chicks squatting and pissing backstage to whipping out their tampon and throwing it at me."

"There should be a law that prevents you from getting married until after you’re 38! When we’re young, especially men, it’s in our blood to fuck up, and that means that when you get older you start to look back and go, ‘What the fuck was I thinking?"

"Years ago I had a fight with a redneck, and we were going until we were both basically so beat up that we couldn’t stand up any more. It was like nobody could win; we just kept beating each other until we both hobbled off! I’d just moved down to South Georgia from New York, and the biggest redneck in the bar decided to pick a fight – he was digging and digging at me until he could get a response, and he got one!"

""Dead by Dawn," as quoted by Jon Wiederhorn of"

"For Glen Benton, an artist whose public persona and music will forever be intertwined, [Deicide's self-titled album] was a bold statement that he was doing more than playing some unholy caricature."

"Glen Benton is a fucking character, and his unwavering dedication to shitting all over Christianity and everything its iron grip has wrought upon the world is not always the smartest or most nuanced approach, but you can’t argue he gets his point across."

"After what happened when Glen Benton fucking took scars royalties for 20 years and all Deicide merchandise, I will find you and hunt you down like the animal you are. I have no label and did my last album for the fans out of my own savings and will do it again with without label. I now pronounce curse on his hair piece Glen Michael Benton you will be history soon and Steve will hire new singer. Also remember this, I am Deicide. You are a disgusting individual that doesn’t care about anyone but [themself]. Glen your Amon, not now, you’re not good enough. I drew the logo [and] came up with the name. Unbelievable. I am Amon. Suck it Glen, we will meet again."

"He's just filled with disgust for Christian hypocrisy and things of that nature. He draws from personal experience, anger and resentment for his lyrical subject matter."

"Bob Larson is a fucking carny. He's a showman, like myself. He does what he does for ratings and to sell his fucking cult-shit videotapes and his cassettes to you, the weak-minded fuck. Okay? [...] Bob Larson has actually admitted this shit it to me. Bob Larson and me are actually kind of friends [...] Bob Larson does what he does to make fucking money to support his prostitute habits."