Arundhati Roy

indische Schriftstellerin

142 quotes found

"To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory. He tells stories of the gods, but his yarn is spun from the ungodly, human heart. The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts. But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own. But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits. In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell. He becomes a Regional Flavour."

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India
"He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull. Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story. Karna inclined his beautiful head and listened. Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun. The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna. Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her. Kunti bowed her head. She's here, she said. Standing before you. Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be? In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck. A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract. She invoked the Love Laws."

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India
"Well.. for so many years, people—let's say in India—have been fighting this very idea of progress, of infinite growth, of this form of development which has resulted now in what we call jobless growth, what everybody knows to be the case. You have nine individuals who own the same amount of wealth as the bottom 500 million. This is what infinite growth has led to—infinite growth for some people. So this idea that you will never question your idea of progress, you will never question the comfort of the Global North. And by Global North—now and the elite South, and the downtrodden North, you know? Years ago, I wrote an essay which ended by saying, “Can we leave the bauxite in the mountain?”...Can you look at the mountain and not just calculate its mineral worth? Can you understand that a mountain has much more than just the value of the minerals in it? And there is—it's a civilizational issue, right? That for people who have lived there, have known that mountain, they know it sustains not just the people. It's not just a question of who is getting displaced. But how does, for example, that bauxite mountain—which stores water and waters the plains all around it, which grows the food, which sustains a whole population—but it's meant for a corporation that is given the mining contract. It's just, how much does that bauxite cost? Can we store it and trade it on the futures market?"

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India
"The tradition of "turkey pardoning" in the US is a wonderful allegory for new racism. Every year, the National Turkey Federation presents the US president with a turkey for Thanksgiving. Every year, in a show of ceremonial magnanimity, the president spares that particular bird (and eats another one). After receiving the presidential pardon, the Chosen One is sent to Frying Pan Park in Virginia to live out its natural life. The rest of the 50 million turkeys raised for Thanksgiving are slaughtered and eaten on Thanksgiving Day. ConAgra Foods, the company that has won the Presidential Turkey contract, says it trains the lucky birds to be sociable, to interact with dignitaries, school children and the press. That's how new racism in the corporate era works. A few carefully bred turkeys - the local elites of various countries, a community of wealthy immigrants, investment bankers, the occasional Colin Powell, or Condoleezza Rice, some singers, some writers (like myself) - are given absolution and a pass to Frying Pan Park. The remaining millions lose their jobs, are evicted from their homes, have their water and electricity connections cut, and die of AIDS. Basically, they're for the pot. But the fortunate fowls in Frying Pan Park are doing fine. Some of them even work for the IMF and the World Trade Organisation - so who can accuse those organisations of being anti-turkey? Some serve as board members on the Turkey Choosing Committee - so who can say that turkeys are against Thanksgiving? They participate in it! Who can say the poor are anti-corporate globalisation? There's a stampede to get into Frying Pan Park. So what if most perish on the way?"

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India
"But nothing beats the mischief and arrogance of Arundhati Roy's blood and gore reporting of the same story on the basis of hearsay.... Disturbed by this account, Balbir Punj, BJP Rajya Sabha MP personally contacted the Gujarat police and asked them to verify the story. Clearly, no such case had been reported to the Gujarat police. Therefore, they asked Roy to provide leads that could help them reach the victim's family and book those who were guilty of the crime. She responded through her lawyer, Prashant Bhushan, to say that the police had no right to issue summons to her. In the same lengthy article in Outlook, Roy had reported that the daughters of Ehsan Jafri, the ex-MP from the Congress Party who was done to death in Gulberg Society, were also raped and killed along with him. In this case, Roy got caught spinning gory tales by none other than Jafri's son who issued a clarification that his sisters were not in the city at the time of the riots. In fact, one of them was living in the United States. Unfazed, Roy replied that she had got the information from two other sources, one a report in Time magazine and another, a supposedly independent fact-finding mission. Incidentally, this “fact finding” team had actually been organised by Teesta Setalvad and Shabnam Hashmi with one of the most corrupt and compromised retired IG of Police as a lead member of the pack. The much-venerated Retired Supreme Court Judge Justice Krishna Iyer was used as a figurehead but the report was put together by professional BJP baiters.... Since the then Outlook Editor Vinod Mehta is a die-hard fan of Roy's writings, she got away with her bloody fantasies without having to offer a half-decent apology."

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India
"And concomitantly, Roy has put her brilliant linguistic skills to the service of "truth". Read her graphic details—"The mob broke into the house. They stripped his daughters and burnt them alive"... Anyway, it reads heart-rendingly honest. Heart-rending, yes, but honest, no. Jaffri was killed in the riots but his daughters were neither "stripped" nor "burnt alive". T.A. Jafri, his son, in a front-page interview titled 'Nobody knew my father's house was the target', says, "Among my brothers and sisters, I am the only one living in India. And I am the eldest in the family. My sister and brother live in the US. I am 40 years old and I have been born and brought up in Ahmedabad." So, Roy is lying—for surely Jafri is not. But what about the hundreds of media lies that haven't been exhumed as yet? Her seven-page long (approx: 6,000 words) hate charter against India and the Sangh parivar is woven around just two specific cases of human tragedy, one of which—by now, we know for sure—is a piece of fiction. The rest is hyperbole, punctuated with venom and vitriol to demonise the parivar. Precisely this type of demonisation had resulted in the macabre incident at Godhra. The vicious propaganda unleashed by the secularists for over a decade had made ordinary and gullible Muslims see the innocent Ram sevaks as demons who deserved to be burnt alive."

- Arundhati Roy

0 likesNovelists from IndiaShort story writers from IndiaEssayists from IndiaEnvironmentalists from IndiaScreenwriters from India