Anthony Burgess, biographies

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"Yusof was also the name of the cook boy who came to work for us. He was homosexual but far from effeminate. He had been in and out of the hands of the police for various small thefts, and police medical examinations disclosed a zakar or hak or pesawat or jantan or kalam or 'urat or butoh or ayok-ayutan and a pair of buah pelir or buah peler or kelepir or bodek or telor (there is no end to the number of Malay terms for the genitals) bigger than any in Kuala Kangsar. He could shift a piano single-handed. He dyed his hair with henna and muscularly minced. The advances he made to me were politely repelled, but he demanded a kind of earnest of an intimate relationship between us - a studio wedding photograph of the two of us, me in Palm Beach suit and songkok or Malay velvet cap, him in bridal dress adorned with frangipani. When I would not yield to this he exacted various acts of revenge - thefts of money and of underpants, finally the lacing of my gin with an aphrodisiac bought in the market. The aphrodisiac proved to be an emetic. He had picked up cooking in the kitchen of the Malay Regiment officers' mess, and he served us nauseating dishes with cold sculpted potatoes, parodies of some dream of the haute cuisine anglaise. Lynne taught him simpler recipes - stew of kambing (goat or mutton : one could never be sure) and even lobscouse, which was eventually adopted in the town as a dish believed to be native Malay. He would ruin these with fistfuls of carraway seeds. Eventually we lived on his curries, which, being Malay, were mild but not bad. If he stole from me, he made up for this by stealing from the store cupboards of the preparatory school mess - tinned peaches and polished rice. When he set the table he would place with the salt cellar and the Worcester sauce a tin of furniture polish. He could not read."

- Anthony Burgess, biographies

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"Yusof Tajuddin may have liked the Japanese, and Mas have tolerated them, but both shuddered at memories of what King's Pavilion had been during the occupation. "This not good place, mem," Mas used to say. Yusof Tajuddin, in his impeccable RP English, was more explicit. King's Pavilion had been used as a centre of torture and interrogation. Dried blood, irremovable with any amount of Vim, stained the floor of the main bathroom, through whose open channels much blood had flowed. Yusof Tajuddin explained the peculiar chill of the bathroom, otherwise inexplicable in a house with few fans on which the sun beat, in psychic terms : the frozen hands of death clutched it still and would clutch it for ever. A Scottish engineer of intense scepticism entered the bathroom on our invitation and came out shuddering. In the raintrees and banyans at sunset, Yusof the cook alleged, the voices of the tortured and executed could be heard complaining. Lynne and I could not hear these voices, but we knew Yusof to be superstitious in the manner of his race. He found hantu-hantu (or hantu 2) everywhere. I do not know the etymology of the word, which means ghost, but have often wondered whether there is some ancient connection, through Sanskrit, with haunt. For Yusof everything was haunted. His middle finger, or jari hantu, was haunted and must be careful about what it touched. He had seen a hantu bangkit, a sheeted ghost risen from the grave that, prevented from walking by its winding sheet, had rolled towards Yusof with evil intent. He had seen the hantu belian or tiger ghost. There was a kitchen ghost, disguised as a mat, that sometimes reared itself at him and made him smash the crockery. There were gnomes in the soil, hantu tanah, and the owl, or burong hantu, was a literal ghost-bird that stared at him and made him scream in his sleep. He knew all the hantu-hantu or hantu 2. The voices in the banyans were nothing compared with the visible ghosts with trailing entrails or the spectral huntsman (hantu pemburu), but they were there. We had better believe it."

- Anthony Burgess, biographies

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"There were good ghostly reasons for not wishing to stay in King's Pavilion, but the real causes for our dissatisfaction with the place were more mundane. It was beautiful enough, an ample structure of the Victorian age, and the view from its verandahs was sumptuous. It looked down on great trees and gardens tended by thin Tamils drunk on todi or palm wine ; beyond was the confluence of rivers ; beyond again the jungle and the mountains. But the gorgeousness of the vista was inadequate payment for the responsibility imposed on us. We inhabited what was in effect a huge flat cut off, but not cut off enough, from the classrooms and dormitories of the preparatory school. At the beginning of the school year weeping Malay boys would arrive with their mothers and fathers, who would stay a night with them and try to stay more, and prepare to be turned into sophisticated collegians. They knew no English, and this had to be taught to them in a two-year course by a Mr. Mahalingam and a Mrs. Vivekananda. They were taught weird vowels and doubtful accentuations. Mrs. Vivekananda made them sing "Old Blick Jooooh" and Mr. Mahalingam did not correct them when they turned bullock cart into bulokar. When lessons were over they made much noise and pissed from their balcony into the inner court, visible while Lynne and I ate lunch. If I railed at them they ran away. If I entered their screaming dormitory they would drag out their prayer mats and howl towards Mecca, knowing that their religious devotions rendered them untouchable by the infidel. They called me Puteh, or white, and also Mat Salleh, or Holy Joe. The other teachers of the Malay College could go to quiet houses on Bukit Chandan, meaning Sandalwood Hill, when their work was over. Lynne and I had to cope with noise and responsibility."

- Anthony Burgess, biographies

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"There was always an amateurishness in colonial administration, and even in technical specialisation, which was deemed desirable by the British, who have never trusted professionalism. Sir Frank Swettenham, one of the founder Malayan administrators, laid down succinctly the qualities desirable in a new recruit to the service - good at games, not so good at studies, unmarried and amoral enough to employ a sleeping dictionary, not too matey otherwise with the natives, clubbable. He might have added something about artistic taste, or lack of it, but that, like a fear of intellectualism, is probably implied in the first two items. If I had hoped to find intellectual companionship among my white colleagues it was because I expected a transferral of the grammar school atmosphere to a college celebrating fifty years of academic glory. But there was little glory, except on the rugger and hockey fields. Jimmy Howell announced with satisfaction at a staff meeting the installation of a hundred stout locks for the library bookcases. "One for each book," I unwisely said. The extra-curricular lives of the teachers reflected the lack of academic ambition in the school itself. They had their long-playing record-players and their shelves of book club novels, golf clubs in the hallway and stengahs on the tray. They took trips to Ipoh to shop at Whiteways and take a bit of decent makan in the Ipoh Club (ikan tinggeri belle meuniere). They had their decent little cars."

- Anthony Burgess, biographies

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"I had better say a little now about love-making in the East. With Malays there were certain restrictions on the amatory forms, laid down by Islam, so that only the posture of Venus observed was officially permitted. Islamic women were supposed to be passive houris. The demands of Islamic wives for frequent sexual congress did not indicate true sensual appetite: they were a test of the fidelity of their husbands. A Malay female body, musky, shapely, golden-brown, was always a delight. Malay women rarely ran to fat, which was reserved to the wives of the Chinese towkays and was an index of prosperity. Malay women kept their figures after childbirth through a kind of ritual roasting over an open fire, tightly wrapped in greased winding-sheets. They walked proudly in sarongs and bajus (little shaped coats), their glossy hair permanently waved, their heels high. They were seductive as few white women are. Lying with Rahimah I regretted my own whiteness : a white skin was an eccentricity and looked like a disease. Simple though Malay sex was, it had an abundant vocabulary. To copulate was jamah or berjima or juma'at or bersatu (literally to become one), or sa-tuboh, asmara, betanchok (this term was peculiar to Perak), ayut, ayok and much much more. There was even a special term for sexual congress after the forty-day birth taboo - pechah kepala barut - and there were two for the boy's initiation after circumcision - menyepoh tua, with someone older, menyepoh muda, with someone younger. The orgasm was dignified with an Arabic loanword, shahuat, or colloquially called rumah sudah ratip - literally, "the structure has gone into an ecstatic trance", ratip or ratib being properly the term for the transport produced by the constant repetition of the holy name Allah. Where the Western term for experiencing orgasm is, in whatever language, "to come", the Malay mind, using keluar, thinks of going out, leaving the body, floating on air."

- Anthony Burgess, biographies

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"There was enough commercial sex around in the towns of Malaya, but there was a certain discretion of display. The secondary exploitation of it, in stage shows or blatant underwear advertisements, was mostly abhorrent to the Eastern mind, though there was a famous Chinese striptease performer named Rose Chan who drew crowds of towkays panting under their binoculars. It was the white woman who was expected to be shameless and provocative. Marilyn Monroe and Jane Russell were to be seen in Cinemascope, and there was a full-page advertisement for The Barefoot Contessa in the Straits Times presenting Ava Gardner as "the most beautiful animal in the world". Some of my students pinned this page to the wall above their beds. The crinolined or embustled mems of the old days had been untouchable, but things were changing in the new age of democracy and equality. All Kuala Kangsar was on fire when a French film called Ah! Les Belles Bacchantes was shown. In it French women exhibited pert little bosoms and men of all races united in groans of lust. The Frenchwoman, or perempuan Paranchis, stood for lasciviousness, and the town of Kota Bharu on the East Coast was known, pathetically, as the Paris of the East because of the sexual licence that was believed to prevail there. There was a Frenchwoman in Kuala Kangsar, but she was a very austere doctor of medicine in a white coat. There was only one woman who, not behaving like the traditional English mem in the East and possessing the blonde beauty of a film star, was taken to be erotic in the French manner, and that was my wife."

- Anthony Burgess, biographies

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